One of the things I did back in May that was pure pleasure was attend the Columbia University Film Festival at the Lincoln Center in New York. A film I did for Michael Toscano, The Louder the Better, or Max Cotton’s Climb to the Top, was one of the entries (and went on to take Faculty Honors), but I was also impressed by Andy Nguyen’s beautiful, gritty, Forever in Hiatus, about a washed-up former pop star pedaling a bicycle taxi aimlessly in the streets of Ho Chi Minh City; Nathan Floody’s delightfully wicked animated short, Hunters; and Juliet Lashinsky’s riveting Keys. Wallet. Phone, which I thought so much of I contacted the star, Rae C. Wright, and gushed until I’m certain I made a pest of myself. I’ve had bits and pieces in films where I thought I did okay (I’m my own toughest critic), but Wright had the whole film to herself and turned in a lovely, nuanced, emotionally wrenching performance that had me eating my face with envy. The credits started rolling and I just sat in my seat, stunned, and thinking "Wow.""
Here’s what Rae Wright said about her young filmmaker, and the art of acting: “I think Juliet's a good director. She gave me time to keep sorting out where we were in the sequence of events, (even though we couldn't shoot in sequence.) I often struggle with doing the work in order to avoid taking on the suffering of a life. My tricky mind says; "Why work hard when there's not much pay?" "This character is such a lame excuse for a woman!" -- stuff like that. I like this quote: "Even though the actor longs to be swimming in the water, they approach the shore with trepidation."
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| Rae C. Wright |
Now her focus is on landing a role in a great television series. I have no doubt that she will. What a wonderful talent.
And what a great time I had watching all of these films and meeting some of the directors and actors. Columbia has a terrific program. You can watch their 25th anniversary video and see interviews with many of the filmmakers, including Michael Toscano here.
By the way, I turned the wrong way coming out of the Walter Reade Theater at the Lincoln Center and suddenly found myself on a dark street in front of a fire station. I asked one of the firefighters where I might be more likely to find a cab. He said "Well you can find one right here!" and the whole contingent of firefighters stepped into the street and stopped a cab for me. I love it! Only in New York! It was a great evening.
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| The crowd after the screening. |
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| The Walter Reade Theater at the Lincoln Center |





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